‘The Seed of the Sacred Fig’ review: Mohammad Rasoulof’s study in asphyxiation is a masterpiece

[ad_1] The best art often blooms from the darkest soil, and with The Seed of the Sacred Fig, Mohammad Rasoulof has planted his anti-authoritarian treatise, deep and unshakable. Filmed clandestinely, smuggled across borders and screened at Cannes against the explicit wishes of the smothering constraints of Iran’s theocracy, the filmmaker’s latest work feels true to…

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